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| This page includes possible scheduling arrangements for the various lessons in this curriculum. Please visit our [[SYLLABUS SAMPLES]] page for more information. | | This page includes possible scheduling arrangements for the various lessons in this curriculum. |
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| == Four-Semester Schedules == | | ==Four-Semester Schedules== |
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| === Sample 1 - University of Dayton === | | ====Option 1==== |
| This arrangement is currently being used at the University of Dayton in Dayton, Ohio. | | This arrangement is currently being used at the University of Dayton in Dayton, Ohio. |
| {| class="wikitable" style="width: 90%;" | | {| class="wikitable" style="width: 90%;" |
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| |15 | | |15 |
| |Final Review & Exam | | |Final Review & Exam |
| |}
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| ===Sample 2 - University of Connecticut===
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| This arrangement is currently being used at the University of Connecticut, in Storrs, Connecticut. We are currently revising the curriculum - more updates soon!
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| {| class="wikitable" style="width: 90%;"
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| |+First Year
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| !Week
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| !Theory I
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| ([https://docs.google.com/document/d/1M3l7UUYRvNDUNR54JyIOSv8LE3k8yrERrT-Vsqq_YD8/edit F21 Syllabus])
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| !Week
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| !Theory II
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| | style="width: 5%" |1
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| | style="width: 45%" |[[Introduction to Music & Music Theory]]; [[Other Notation Systems|Introduction to Notation Systems]]
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| | style="width: 5%" |1
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| | style="width: 45%" |
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| |-
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| |2
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| |[[Acoustics: Sound Creation & Propagation]]; [[The Ear: Sound Reception]]
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| |2
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| |-
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| |3
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| |[[Frequency & Pitch]]; [[Pitch Notation]]
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| |3
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| |-
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| |4
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| |[[Tonality: Scales & Chords|Tonality: Scales]]; [[Major Scales & Key Signatures]]; [[Modes]]
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| |4
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| |-
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| |5
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| |[[Modes]]; [[Minor Keys & Scales]]
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| |5
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| |-
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| |6
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| |[[Solfège Systems]]; [[Tonality: Scales & Chords|Tonality: Scales]] (focus on other scales); [[Loudness & Dynamics]]
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| |6
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| |-
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| |7
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| |[[Timbre & Articulation]]; [[Instrument Families]]
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| |7
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| |-
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| |8
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| |[[Melody & Texture]]; [[Rhythm Notation]]
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| |8
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| |-
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| |9
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| |[[Duration, Rhythm, & Meter]]; [[Meter Notation]]
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| |9
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| |-
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| |10
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| |[[Intervals]]; [[Tuning Systems & Interval Ratios|Interval Ratios]]
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| |10
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| |-
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| |11
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| |[[Counterpoint|Species 1 Counterpoint]]; [[Tuning Systems & Interval Ratios|Tuning Systems]]
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| |11
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| |-
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| |12
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| |[[Tonality: Scales & Chords|Tonality: Chords]]; [[Triads & Inversions]]; [[Roman Numeral Analysis]]
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| |12
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| |-
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| |13
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| |Thanksgiving Break
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| |13
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| |-
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| |14
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| |[[Introduction to Melodic Harmonization]]
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| |14
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| |-
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| |15
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| |[[Seventh Chords]], [[Recording Methods]]
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| |15
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| |-
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| |16
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| |Finals Week
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| |} | | |} |
This page includes possible scheduling arrangements for the various lessons in this curriculum.
Four-Semester Schedules
Option 1
This arrangement is currently being used at the University of Dayton in Dayton, Ohio.
First Year
| Week
|
Theory I
|
Week
|
Theory II
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| 1
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Acoustics: Sound Creation & Propagation, The Ear: Sound Reception
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1
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Meters & Beats, Poetic Meter & Text-Setting
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| 2
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Recording Methods, Frequency & Pitch, Pitch Notation
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2
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Major Diatonic Harmony, Melodic Writing & Harmony
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| 3
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Loudness & Dynamics, Timbre & Articulation
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3
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Rhythm & Melody, Motivic Development
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| 4
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Instrument Families, Melody & Texture
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4
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Harmonic Cadences, Harmonic Rhythm
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| 5
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Duration, Rhythm, & Meter, Rhythm Notation
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5
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Non-Harmonic Tones, Phrase Forms
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| 6
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Meter Notation, Tonality: Scales & Chords
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6
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Minor & Modal Harmony, Writing for Instruments & Transposition
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| 7
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Major Scales & Key Signatures, Minor Keys & Scales
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7
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Modal Melody, Metrical Deviations & Dissonances
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| 8
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Midterm Review & Exam
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8
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Midterm Review & Exam
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| 9
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Intervals, Tuning Systems & Interval Ratios
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9
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Spring Break
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| 10
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Modes, Solfège Systems
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10
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Meet the Composer, Counterpoint
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| 11
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Triads & Inversions, Seventh Chords
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11
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Harmonic Progressions & Syntax, Formal Function
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| 12
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Extended Harmonies & Popular Chords, Roman Numeral Analysis
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12
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Improvisation & Performer Creativity, Modulation
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| 13
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Introduction to Melodic Harmonization
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13
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Tonicization, Form in Popular Music
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| 14
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Review & Thanksgiving Break
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14
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Scoring, Texture, Timbre & Form
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| 15
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Final Review & Exam
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15
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Final Review & Exam
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Second Year
| Week
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Theory III
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Week
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Theory IV
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| 1
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Review of Theory I & II
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1
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Electronic Instruments, Synthesis
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| 2
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Chromatic Harmony, Other Scales
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2
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Sampling, Musique Concrète
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| 3
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Large Forms
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3
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Amplification & Distortion, Filters & Effects
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| 4
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The Music Business, Genre
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4
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Vocal Modification, Sequencing
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| 5
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Rap
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5
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Drum Machines, Turntablism
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| 6
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Film & Television Music, Stage Music
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6
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Multiphonics, Reverb
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| 7
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Video Game Music, Multimedia
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7
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Studio Production, Music and the Internet
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| 8
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Midterm Review & Exam
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8
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Midterm Review & Exam
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| 9
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Pantriadicism & Chromatic Mediants, Pandiatonicism & Soundmass, Extended Techniques
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9
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Spring Break
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| 10
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Quartal Harmony, Emotion in Music, Impressionism
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10
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Instructor's Choice
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| 11
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Simultaneity, Eclecticism, Quotation & Sampling
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11
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| 12
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Atonality, Serialism, Set Theory
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12
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| 13
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Microtonality, Colotomic Structures
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13
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| 14
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Minimalism, Thanksgiving Break
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14
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| 15
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Final Review & Exam
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15
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Final Review & Exam
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