Sample Schedules: Difference between revisions
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This page includes possible scheduling arrangements for the various lessons in this curriculum | This page includes possible scheduling arrangements for the various lessons in this curriculum. | ||
== Four-Semester Schedules == | ==Four-Semester Schedules== | ||
==== University of Dayton | ====Option 1==== | ||
This arrangement is currently being used at the University of Dayton in Dayton, Ohio. | |||
{| class="wikitable" style="width: 90%;" | {| class="wikitable" style="width: 90%;" | ||
|+First Year | |+First Year | ||
| Line 11: | Line 12: | ||
!Theory II | !Theory II | ||
|- | |- | ||
| style="width: 5%"|1 | | style="width: 5%" |1 | ||
| style="width: 45%"|[[Acoustics: Sound Creation & Propagation]], [[The Ear: Sound Reception]] | | style="width: 45%" |[[Acoustics: Sound Creation & Propagation]], [[The Ear: Sound Reception]] | ||
| style="width: 5%"|1 | | style="width: 5%" |1 | ||
| style="width: 45%"|[[Meters & Beats]], [[Poetic Meter & Text-Setting]] | | style="width: 45%" |[[Meters & Beats]], [[Poetic Meter & Text-Setting]] | ||
|- | |- | ||
|2 | |2 | ||
| Line 94: | Line 95: | ||
!Theory IV | !Theory IV | ||
|- | |- | ||
| style="width: 5%"|1 | | style="width: 5%" |1 | ||
| style="width: 45%"|Review of Theory I & II | | style="width: 45%" |Review of Theory I & II | ||
| style="width: 5%"|1 | | style="width: 5%" |1 | ||
| style="width: 45%"|[[Electronic Instruments]], [[Synthesis]] | | style="width: 45%" |[[Electronic Instruments]], [[Synthesis]] | ||
|- | |- | ||
|2 | |2 | ||
| Line 142: | Line 143: | ||
|[[Quartal Harmony]], [[Emotion in Music]], [[Impressionism]] | |[[Quartal Harmony]], [[Emotion in Music]], [[Impressionism]] | ||
|10 | |10 | ||
|rowspan="5"|Instructor's Choice | | rowspan="5" |Instructor's Choice | ||
|- | |- | ||
|11 | |11 | ||
Revision as of 16:07, 1 August 2020
This page includes possible scheduling arrangements for the various lessons in this curriculum.
Four-Semester Schedules
Option 1
This arrangement is currently being used at the University of Dayton in Dayton, Ohio.
| Week | Theory III | Week | Theory IV |
|---|---|---|---|
| 1 | Review of Theory I & II | 1 | Electronic Instruments, Synthesis |
| 2 | Chromatic Harmony, Other Scales | 2 | Sampling, Musique Concrète |
| 3 | Large Forms | 3 | Amplification & Distortion, Filters & Effects |
| 4 | The Music Business, Genre | 4 | Vocal Modification, Sequencing |
| 5 | Rap | 5 | Drum Machines, Turntablism |
| 6 | Film & Television Music, Stage Music | 6 | Multiphonics, Reverb |
| 7 | Video Game Music, Multimedia | 7 | Studio Production, Music and the Internet |
| 8 | Midterm Review & Exam | 8 | Midterm Review & Exam |
| 9 | Pantriadicism & Chromatic Mediants, Pandiatonicism & Soundmass, Extended Techniques | 9 | Spring Break |
| 10 | Quartal Harmony, Emotion in Music, Impressionism | 10 | Instructor's Choice |
| 11 | Polytonality, Polymeter, Eclecticism, Quotation & Sampling | 11 | |
| 12 | Atonality, Serialism, Set Theory | 12 | |
| 13 | Microtonality, Colotomic Structures | 13 | |
| 14 | Minimalism, Thanksgiving Break | 14 | |
| 15 | Final Review & Exam | 15 | Final Review & Exam |