Modes: Difference between revisions

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== Objectives ==
==Objectives==
* Students will be able to write a given modal scale on a given note.
* Students will be able to write the key signature for a given mode in treble and bass clef.
* Students will be able to identify the mode represented by a given key signature and tonic.
* Students will be able to identify the mode of a short melodic segment
* Students will be able to label melodies with solfege (fixed and moveable do; students will be familiar with non-do-based systems)
== Resources ==


*Students will be able to write a given modal scale on a given note.
*Students will be able to write the key signature for a given mode in treble and bass clef.
*Students will be able to identify the mode represented by a given key signature and tonic.
*Students will be able to identify the mode of a short melodic segment
*Student will be familiar with the history of modes (greek to church to modern)
*Student will be familiar with naming of modes using Greek names or numbers
*Student will understand the relationship between relative and parallel modes
*Students will be able to label melodies with solfege (fixed or moveable do; students will be familiar with non-do-based systems)


== Class Activities ==
==Resources==
* Discussion and definition of the diatonic modes
* Proper notation in treble and bass clef of the key signature for a given mode
* Identification of key signature for music from different genres and time periods
* Identification of mode for a short melodic example
* Discussion of fixed vs. moveable do solfege systems and their use in different modes


== Assignments ==
====Readings====
* Writing modal scales


== Assessments ==
*''Open Music Theory'': [http://openmusictheory.com/scales2.html Collections and Scales]
*Tobey, ''A Feeling for Harmony'': [http://legacy.earlham.edu/~tobeyfo/musictheory/Book1/FFH1_CH1/1I_Modes.html Chapter 1L - The Six Classic (Modern) Modes]
*''Classic FM'': [https://www.classicfm.com/discover-music/latest/guide-to-musical-modes/ "Modes: What are they and how do I use them?"]
*Teoria.Com: [https://www.teoria.com/en/reference/g-h/gregorian.php Gregorian Modes]


====Instructor References====


== Notes ==
*[https://ianring.com/musictheory/scales Ring, A Study of Scales]
 
====Listening or Videos====
 
*Ring, [https://www.youtube.com/watch?time_continue=159&v=cRQXwORss2o&feature=emb_logo "What is a Mode?"]
 
==Class Activities==
 
*Discussion and definition of the diatonic modes
*Proper notation in treble and bass clef of the key signature for a given mode
*Identification of key signature for music from different genres and time periods
*Identification of mode for a short melodic example
*Discussion of fixed vs. moveable do solfege systems and their use in different modes
 
==Assignments==
 
*Writing modal scales
*Transposing a melody to different modes
*Identifying short melodic excerpts in different modes
 
==Notes==
{{Fundamentals12TETNavbox}}
{{MelodyNavbox}}
{{Theory1Navbox}}
 
[[Category:Theory 1]]
[[Category:Fundamentals of 12TET]]
[[Category:Melody]]

Latest revision as of 19:04, 21 December 2024

This lesson is part of the Fundamentals of Twelve-Tone Equal Temperament category.

Objectives

  • Students will be able to write a given modal scale on a given note.
  • Students will be able to write the key signature for a given mode in treble and bass clef.
  • Students will be able to identify the mode represented by a given key signature and tonic.
  • Students will be able to identify the mode of a short melodic segment
  • Student will be familiar with the history of modes (greek to church to modern)
  • Student will be familiar with naming of modes using Greek names or numbers
  • Student will understand the relationship between relative and parallel modes
  • Students will be able to label melodies with solfege (fixed or moveable do; students will be familiar with non-do-based systems)

Resources

Readings

Instructor References

Listening or Videos

Class Activities

  • Discussion and definition of the diatonic modes
  • Proper notation in treble and bass clef of the key signature for a given mode
  • Identification of key signature for music from different genres and time periods
  • Identification of mode for a short melodic example
  • Discussion of fixed vs. moveable do solfege systems and their use in different modes

Assignments

  • Writing modal scales
  • Transposing a melody to different modes
  • Identifying short melodic excerpts in different modes

Notes