Simultaneity: Difference between revisions
Created page with "{{RHY}} ==Objectives== *Students will become familiar with the rhythmic characteristics of polymetricism. ==Resources== ==== Readings ==== * [http://academic.ud..." |
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{{HAR}} | |||
{{RHY}} | {{RHY}} | ||
==Objectives== | ==Objectives== | ||
*Students will become familiar with the concepts of multiple tonal centers, polychords and polytonality. | |||
*Students will become familiar with the rhythmic characteristics of polymetricism. | *Students will become familiar with the rhythmic characteristics of polymetricism. | ||
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==== Readings ==== | ==== Readings ==== | ||
* [http://academic.udayton.edu/PhillipMagnuson/soundpatterns/ | *[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html Hutchinson, ''Music Theory for the 21st-Century Classroom''] | ||
**[http://musictheory.pugetsound.edu/mt21c/ImpressionismAndExtendedTonality.html Chapter 32: Impressionism and Extended Tonality] | |||
***[http://musictheory.pugetsound.edu/mt21c/polychords.html 32.3: Polychords] | |||
* [http://academic.udayton.edu/PhillipMagnuson/soundpatterns/ Magnuson, ''Sound Patterns:''] | |||
** [http://academic.udayton.edu/PhillipMagnuson/soundpatterns/microcosms/primitivism.html "Primitivism: B. Vocabulary"] | |||
** [http://academic.udayton.edu/PhillipMagnuson/soundpatterns/microcosms/primitivism.html "Primitivism: E. Time Organization"] | |||
==Class Activities== | ==Class Activities== | ||
*Discussion and definition of polymeter and polyrhythms | *Discussion and definition of polychords, polytonality, obscure key centers,polymeter and polyrhythms | ||
*Tonal analysis of music from different genres and time periods. | |||
*Analysis of music which features polymeter or polyrhythms | *Analysis of music which features polymeter or polyrhythms | ||
*Composition and improvisation in a polytonal style | |||
*Composition and improvisation in a polymetric structure | *Composition and improvisation in a polymetric structure | ||
==Assignments== | ==Assignments== | ||
*Identification and analysis of polychordal and polytonal techniques in written and recorded music | |||
*Identification and analysis of polymetric and polyrhythmic techniques in written and recorded music | *Identification and analysis of polymetric and polyrhythmic techniques in written and recorded music | ||
==Notes== | ==Notes== | ||
{{HarmonyNavbox}} | |||
{{RhythmMeterNavbox}} | {{RhythmMeterNavbox}} | ||
{{TimbreTextureNavbox}} | {{TimbreTextureNavbox}} | ||
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[[Category:Theory 3]] | [[Category:Theory 3]] | ||
[[Category:Harmony]] | |||
[[Category:Twentieth-Century Techniques]] | [[Category:Twentieth-Century Techniques]] | ||
[[Category:Rhythm & Meter]] | [[Category:Rhythm & Meter]] | ||
Revision as of 20:27, 2 November 2021
| This lesson is part of the Harmony category. |
| This lesson is part of the Rhythm, Meter & Form category. |
Objectives
- Students will become familiar with the concepts of multiple tonal centers, polychords and polytonality.
- Students will become familiar with the rhythmic characteristics of polymetricism.
Resources
Readings
Class Activities
- Discussion and definition of polychords, polytonality, obscure key centers,polymeter and polyrhythms
- Tonal analysis of music from different genres and time periods.
- Analysis of music which features polymeter or polyrhythms
- Composition and improvisation in a polytonal style
- Composition and improvisation in a polymetric structure
Assignments
- Identification and analysis of polychordal and polytonal techniques in written and recorded music
- Identification and analysis of polymetric and polyrhythmic techniques in written and recorded music