Serialism: Difference between revisions
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==Resources== | ==Resources== | ||
====Readings==== | |||
* | *Shaffer, Wharton (eds.), ''Open Music Theory:'' | ||
** | **[http://openmusictheory.com/twelveToneIntervallicStructure.html "Intervallic Structure"] | ||
**[http://openmusictheory.com/twelveToneMusicDerivation.html "Derivation"] | |||
**[http://openmusictheory.com/twelveToneMusicInvariance.html "Invariance"] | |||
**[http://openmusictheory.com/twelveTone.html "Analyzing 12-tone Music"] | |||
*Kelley, ''Introduction to Post-Tonal Music Analysis:'' | |||
**[http://robertkelleyphd.com/home/teaching/music-theory/intro-to-post-tonal-music-analysis/#adv "Advanced Twelve-Tone Techniques"] | |||
**[http://robertkelleyphd.com/home/teaching/music-theory/intro-to-post-tonal-music-analysis/#contour "Contour Analysis"] | |||
==Class Activities== | ==Class Activities== | ||
Latest revision as of 19:04, 21 December 2024
| This lesson is part of the Style & Compositional Techniques category. |
Objectives
- Students will explore the compositional techniques of serialism and stochasticism.
Resources
Readings
- Shaffer, Wharton (eds.), Open Music Theory:
- Kelley, Introduction to Post-Tonal Music Analysis:
Class Activities
- Further discussion of Schoenberg’s twelve-tone row process and discussion of integral serialism
- Improvisation within a integrally serial structure
- Composition of a piece according to stochastic techniques
Assignments
- Analysis of integral serialism in written and recorded music
- Creation of a short musical composition using a stochastic method