Eclecticism, Quotation & Sampling: Difference between revisions
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==Resources== | ==Resources== | ||
====Readings==== | |||
*''Music Theory Online:'' | |||
**[http://mtosmt.org/issues/mto.18.24.1/mto.18.24.1.boone.html Boone, "Gendered Power Relationships in Mashups"] | |||
*[http://academic.udayton.edu/PhillipMagnuson/soundpatterns/microcosms/eclecticism.html Magnuson, ''Sound Patterns:'' Eclecticism] | |||
==Class Activities== | ==Class Activities== | ||
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==Notes== | ==Notes== | ||
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[[Category:Style & Compositional Techniques]] | [[Category:Style & Compositional Techniques]] | ||
[[Category:Theory 3]] | [[Category:Theory 3]] | ||
[[Category:Twentieth-Century Techniques]] | [[Category:Twentieth-Century Techniques]] | ||
Latest revision as of 19:04, 21 December 2024
| This lesson is part of the Style & Compositional Techniques category. |
Objectives
- Students will explore the characteristics of polystylism and mashup
- Students will explore the compositional techniques of eclecticism, quotation and sampling.
Resources
Readings
- Music Theory Online:
- Magnuson, Sound Patterns: Eclecticism
Class Activities
- Discussion and definitions of polystylism
- Analysis of music from different styles which feature polystylism
- Composition and improvisation in a polystylistic structure
- Discussion and definition of musical eclecticism and quotation
- Discussion of the practical and ethical aspects of sampling
- Analysis of music which features quotation or sampling
Assignments
- Identification and analysis of polystylistic techniques in written and recorded music
- Identification and analysis of eclecticism, quotation and sampling in written and recorded music