Pantriadicism & Chromatic Mediants: Difference between revisions
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==Objectives== | ==Objectives== | ||
*Students will become familiar with different levels of pantriadicism and suspended tonality, including | *Students will become familiar with different levels of pantriadicism and suspended tonality, including chromatic mediants and non-functional harmony. | ||
*Students will become familiar with the basic concepts of neo-Riemannian theory. | |||
==Resources== | ==Resources== | ||
==== Readings ==== | ====Readings==== | ||
* ''Musicology Now:'' | *''Musicology Now:'' | ||
** [http://www.musicologynow.org/2017/12/optigan-allusions-sonic-dislocation-in.html Lehman, "Optigan Allusions: Sonic Dislocation in The Return"] | **[http://www.musicologynow.org/2017/12/optigan-allusions-sonic-dislocation-in.html Lehman, "Optigan Allusions: Sonic Dislocation in The Return"] | ||
==== Listening or Videos ==== | |||
* 12tone: | |||
** [https://www.youtube.com/watch?v=_VxN4rnOpho "What the Heck is Neo-Riemannian Analysis?"] | |||
==Class Activities== | ==Class Activities== | ||
*Discussion and definition of | *Discussion and definition of chromatic mediants and non-functional harmony, both within otherwise tonal constructs and as independent forms | ||
*Macro-harmonic analysis of pantriadicism in different styles of music | *Macro-harmonic analysis of pantriadicism in different styles of music | ||
*Improvisation of pantriadic chord sequence | *Improvisation of pantriadic chord sequence | ||
Latest revision as of 19:04, 21 December 2024
| This lesson is part of the Harmony category. |
Objectives
- Students will become familiar with different levels of pantriadicism and suspended tonality, including chromatic mediants and non-functional harmony.
- Students will become familiar with the basic concepts of neo-Riemannian theory.
Resources
Readings
- Musicology Now:
Listening or Videos
Class Activities
- Discussion and definition of chromatic mediants and non-functional harmony, both within otherwise tonal constructs and as independent forms
- Macro-harmonic analysis of pantriadicism in different styles of music
- Improvisation of pantriadic chord sequence
- Composition of pantriadic chord sequence to accompany a given melody
Assignments
- Analysis of quasi-tonal and post-tonal techniques in written and recorded music