Melodic Writing & Harmony: Difference between revisions
No edit summary |
|||
| Line 30: | Line 30: | ||
== Notes == | == Notes == | ||
{{HarmonyNavbox}} | |||
Revision as of 18:19, 29 July 2020
| This lesson is part of the Melodic Techniques category. |
Objectives
- Students will be able to analyze a melodic phrase for shape and intervallic composition
- Students will be familiar with the pentatonic scale and other subsets of the major scale.
- Students will be able to compose a simple piano or guitar accompaniment to a vocal melody.
- Students will be familiar with how melody and harmony influence one another.
- Students will be able to analyze a melody for implied basic diatonic harmony.
Resources
Class Activities
- Discussions and definitions of melodic shape, intervallic composition (steps, skips, leaps)
- Shape and interval analysis of melodies from music of multiple genres and time periods
- Activity where students improvise a short melody given a shape, an intervallic descriptor (“stepwise,” “disjunct,” etc.), and a grammatical descriptor (“final,” “energetic,” etc.)
- Discussion of implied harmony in melody
- Demonstration of writing an accompaniment for a melody and various accompaniment techniques
- Composition of an accompaniment for a given or student-composed vocal melody
- Analysis of harmonic accompaniment of different styles of melody
Assignments
- “Error” identification in written melodies or their harmonic accompaniments
- Analysis of melodies for intervallic composition
- Composition of well-formed melodies
- Creating a harmonic accompaniment for a given melody