Form in Popular Music: Difference between revisions

From Advancing Music Theory
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**[http://mtosmt.org/issues/mto.17.23.3/mto.17.23.3.richards.html Richards, "Tonal Ambiguity in Popular Music's Axis Progressions"]
**[http://mtosmt.org/issues/mto.17.23.3/mto.17.23.3.richards.html Richards, "Tonal Ambiguity in Popular Music's Axis Progressions"]
*''SMT-V:''
*''SMT-V:''
**[https://doi.org/10.30535/smtv .6.4 Barna, "The Dance Chorus in Recent Top-40 Music"]
**[https://doi.org/10.30535/smtv.6.4 Barna, "The Dance Chorus in Recent Top-40 Music"]
**[http://doi.org/10.30535/smtv.7.6 Lavengood, "'Oops!... I Did It Again': The Complement Chorus in Britney Spears, The Backstreet Boys, and *NSYNC"]
**[http://doi.org/10.30535/smtv.7.6 Lavengood, "'Oops!... I Did It Again': The Complement Chorus in Britney Spears, The Backstreet Boys, and *NSYNC"]



Revision as of 16:59, 11 October 2021

This lesson is part of the Rhythm, Meter & Form category.

Objectives

  • Students will be familiar with components of popular song form including verse, chorus, prechorus, bridge, intro and outro.
  • Students will be familiar with common popular song forms and their variants.
  • Students will be able to analyze the form of a popular song,

Resources

Readings

Class Activities

  • Discussion and definition of popular form components (verse, chorus, bridge, etc.)
  • Discussion and definition of different popular song forms
  • Analysis of various popular songs

Assignments

Files

  • Formal Analysis: "Jumper" by Third Eye Blind (Word | Pages | PDF)
  • Formal Analysis: "Unfinished" by Barenaked Ladies (Word | Pages | PDF)

Notes