Form in Popular Music: Difference between revisions
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== Objectives == | ==Objectives== | ||
== Resources == | ==Resources== | ||
==== Readings: ==== | |||
*[https://www.academia.edu/7634222/_Form_in_Rock_Music_A_Primer_in_Engaging_Music_Essays_in_Music_Analysis_ed._D._Stein_Oxford_University_Press_2005_65-76 Covach, “Form in Rock Music: A Primer”] | |||
*[http://openmusictheory.com/ Shaffer, Wharton (eds.), ''Open Music Theory:''] | |||
**Pop/Rock Form: [http://openmusictheory.com/popRockForm.html 1], [http://openmusictheory.com/popRockForm-terms 2], [http://openmusictheory.com/popRockForm-containers 3], [http://openmusictheory.com/popRockForm-functions 4], [http://openmusictheory.com/popRockForm-notation 5] | |||
*[https://www.top40theory.com/ Peres, ''Top 40 Theory:''] | |||
**[https://www.top40theory.com/blog/dont-bore-us-but-dont-rush-to-the-chorus “Don't Bore Us, but Don't Rush to the Chorus”] | |||
**[https://www.top40theory.com/blog/the-chainsmokers-ft-halsey-closer-crafting-the-chorus “The Chainsmokers ft. Halsey — ‘Closer’: Crafting the Chorus”] | |||
**[https://www.top40theory.com/blog/everything-you-need-to-know-about-the-postchorus “Everything You Need to Know About the Postchorus”] | |||
**[https://www.top40theory.com/blog/about-that-chorus-in-bebe-rexhas-im-a-mess “About that Chorus in Bed Rexha’s ‘I’m a Mess’”] | |||
**[https://www.top40theory.com/blog/a-sonic-twist-in-the-plot-the-bridge-in-modern-pop “A Sonic Twist in the Plot: The Bridge in Modern Pop”] | |||
**[https://www.top40theory.com/blog/the-postchorus-bridge-switcheroo “The PostChorus-Bridge Switcheroo”] | |||
**[https://www.top40theory.com/micro-blog1/recycling-the-chorus-in-zedd-elley-duhes-happy-now “Recycling the Chorus in Zedd & Elley Duhé’s ‘Happy Now’”] | |||
**[https://www.top40theory.com/micro-blog1/the-internal-sonic-progression-in-bebe-rexhas-im-a-mess “The Internal Sonic Progression in Bebe Rexha’s “I’m a Mess’”] | |||
**[https://www.top40theory.com/micro-blog1/sonic-meta-progressions-in-pop-songs “Sonic Meta-Progressions in Pop Songs”] | |||
==Class Activities== | |||
==Assignments== | |||
==Assessments== | |||
== Notes == | |||
==Notes== | |||
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Revision as of 20:40, 29 July 2020
| This lesson is part of the Rhythm, Meter & Form category. |
Objectives
Resources
Readings:
- Covach, “Form in Rock Music: A Primer”
- Shaffer, Wharton (eds.), Open Music Theory:
- Peres, Top 40 Theory:
- “Don't Bore Us, but Don't Rush to the Chorus”
- “The Chainsmokers ft. Halsey — ‘Closer’: Crafting the Chorus”
- “Everything You Need to Know About the Postchorus”
- “About that Chorus in Bed Rexha’s ‘I’m a Mess’”
- “A Sonic Twist in the Plot: The Bridge in Modern Pop”
- “The PostChorus-Bridge Switcheroo”
- “Recycling the Chorus in Zedd & Elley Duhé’s ‘Happy Now’”
- “The Internal Sonic Progression in Bebe Rexha’s “I’m a Mess’”
- “Sonic Meta-Progressions in Pop Songs”