Serialism: Difference between revisions
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==Resources== | ==Resources== | ||
* [http://musictheory.pugetsound.edu/mt21c/MusicTheory.html Hutchinson, ''Music Theory for the 21st-Century Classroom''] | *[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html Hutchinson, ''Music Theory for the 21st-Century Classroom''] | ||
**[http://musictheory.pugetsound.edu/mt21c/Serialism.html Chapter 34: Serialism] | |||
** [http://musictheory.pugetsound.edu/mt21c/Serialism.html Chapter 34: Serialism] | |||
* ''[http://openmusictheory.com/ Open Music Theory]'' | |||
** Twelve-Tone Theory: [http://openmusictheory.com/twelveToneBasics.html 1], [http://openmusictheory.com/twelveToneOperations.html 2], [http://openmusictheory.com/twelveToneIntervallicStructure.html 3], [http://openmusictheory.com/twelveToneMusicDerivation.html 4], [http://openmusictheory.com/twelveToneMusicInvariance.html 5], [http://openmusictheory.com/twelveToneMusicInvariance.html 6] | |||
==Class Activities== | ==Class Activities== | ||
Revision as of 14:05, 17 July 2020
| This lesson is part of the Style & Compositional Techniques category. |
Objectives
- Students will explore the compositional techniques of serialism and stochasticism.
Resources
Class Activities
- Further discussion of Schoenberg’s twelve-tone row process and discussion of integral serialism
- Improvisation within a integrally serial structure
- Composition of a piece according to stochastic techniques
Assignments
- Analysis of integral serialism in written and recorded music
- Creation of a short musical composition using a stochastic method