Large Forms: Difference between revisions
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**[http://musictheory.pugetsound.edu/mt21c/BinaryAndTernaryForms.html Chapter 24: Binary and Ternary Forms] | **[http://musictheory.pugetsound.edu/mt21c/BinaryAndTernaryForms.html Chapter 24: Binary and Ternary Forms] | ||
**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms] | **[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms] | ||
==Class Activities== | ==Class Activities== | ||
Revision as of 04:13, 17 July 2020
| This lesson is part of the Rhythm, Meter & Form category. |
Objectives
- Students will be able to analyze a composition using formal notation (A, A’, B, etc.).
- Students will be familiar with common forms such as sonata allegro, da capo aria, and popular song form.
Resources
Reading:
Class Activities
- Discussion and definition of the concept of formal analysis, and of common large-scale forms
- Formal analysis of music in different genres and time periods
- Creation of a compositional formal blueprint based around two or three given melodies or motives
Assignments
- Comprehension questions
- Formal analysis of written and recorded music
- Creation of a formal blueprint for a piece to meet given criteria