Large Forms: Difference between revisions

From Advancing Music Theory
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**[http://musictheory.pugetsound.edu/mt21c/BinaryAndTernaryForms.html Chapter 24: Binary and Ternary Forms]
**[http://musictheory.pugetsound.edu/mt21c/BinaryAndTernaryForms.html Chapter 24: Binary and Ternary Forms]
**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]
**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]


==Class Activities==
==Class Activities==

Revision as of 04:13, 17 July 2020

This lesson is part of the Rhythm, Meter & Form category.

Objectives

  • Students will be able to analyze a composition using formal notation (A, A’, B, etc.).
  • Students will be familiar with common forms such as sonata allegro, da capo aria, and popular song form.

Resources

Reading:

Class Activities

  • Discussion and definition of the concept of formal analysis, and of common large-scale forms
  • Formal analysis of music in different genres and time periods
  • Creation of a compositional formal blueprint based around two or three given melodies or motives

Assignments

  • Comprehension questions
  • Formal analysis of written and recorded music
  • Creation of a formal blueprint for a piece to meet given criteria

Files

Notes