Modes: Difference between revisions
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==Notes== | ==Notes== | ||
[[Category:Theory 1]] | |||
[[Category:Fundamentals of 12TET]] | |||
[[Category:Melody]] | |||
Revision as of 20:48, 28 July 2020
| This lesson is part of the Fundamentals of Twelve-Tone Equal Temperament category. |
Objectives
- Students will be able to write a given modal scale on a given note.
- Students will be able to write the key signature for a given mode in treble and bass clef.
- Students will be able to identify the mode represented by a given key signature and tonic.
- Students will be able to identify the mode of a short melodic segment
- Student will be familiar with the history of modes (greek to church to modern)
- Student will be familiar with naming of modes using Greek names or numbers
- Student will understand the relationship between relative and parallel modes
- Students will be able to label melodies with solfege (fixed or moveable do; students will be familiar with non-do-based systems)
Resources
Class Activities
- Discussion and definition of the diatonic modes
- Proper notation in treble and bass clef of the key signature for a given mode
- Identification of key signature for music from different genres and time periods
- Identification of mode for a short melodic example
- Discussion of fixed vs. moveable do solfege systems and their use in different modes
Assignments
- Writing modal scales