Musique Concrète: Difference between revisions

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== Objectives ==
==Objectives==
* Students will be familiar with the concept and history of ''musique concrète.''
* Students will be able to manipulate recorded sounds using digital audio software.


*Students will be familiar with the concept and history of ''musique concrète.''
*Students will be able to manipulate recorded sounds using digital audio software.
*Students will be familiar with related electronic subgenera such as circuit bending and glitch music.


==Resources==


== Resources ==
*[https://frieze.com/article/music-22 ''Frieze:'' Young, "Pierre Schaeffer and the Birth of ''Musique Concrète''"]
*[[wikipedia:Musique_concrète|Wikipedia: "Musique Concréte"]]


==Class Activities==


== Class Activities ==
*Discussion and demonstration of ''musique concrète'' in historical and contemporary contexts
* Discussion and demonstration of ''musique concrète'' in historical and contemporary contexts
*Analysis of ''musique concrète'' in music of different styles
* Analysis of ''musique concrète'' in music of different styles
*Manipulation of a recorded sound using digital audio software
* Manipulation of a recorded sound using digital audio software


== Assignments ==
==Assignments==
* Identification and analysis of ''musique concrète'' in recorded music
* Composition of a short ''musique concrète'' piece


== Assessments ==
*Identification and analysis of ''musique concrète'' in recorded music
*Composition of a short ''musique concrète'' piece


==Notes==


== Notes ==
{{ElectronicMusicNavbox}}
{{Theory4Navbox}}
 
[[Category:Electronic Music]]
[[Category:Theory 4]]

Latest revision as of 19:04, 21 December 2024

This lesson is part of the Electronic Music & Sound Production category.

Objectives

  • Students will be familiar with the concept and history of musique concrète.
  • Students will be able to manipulate recorded sounds using digital audio software.
  • Students will be familiar with related electronic subgenera such as circuit bending and glitch music.

Resources

Class Activities

  • Discussion and demonstration of musique concrète in historical and contemporary contexts
  • Analysis of musique concrète in music of different styles
  • Manipulation of a recorded sound using digital audio software

Assignments

  • Identification and analysis of musique concrète in recorded music
  • Composition of a short musique concrète piece

Notes