Large Forms - Revision history

TobyRush: 25 revisions imported

2024-12-21T19:04:29Z

25 revisions imported

← Older revision	Revision as of 19:04, 21 December 2024
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TobyRush: /* Resources */

2020-07-30T13:25:12Z

Resources

← Older revision		Revision as of 13:25, 30 July 2020
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	==Objectives==		==Objectives==

	*Students will be able to analyze a composition using formal notation (A, A’, B, etc.).		*Students will be familiar with common large forms such as sonata allegro, da capo aria, and march form.
	*Students will be familiar with common forms such as sonata allegro, da capo aria, and ~~popular song~~ form.
	*Students will be familiar with macroformal structures such as song cycles, operas, oratorios, musicals, and concept albums.		*Students will be familiar with macroformal structures such as song cycles, operas, oratorios, musicals, and concept albums.

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	*[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html Hutchinson, ''Music Theory for the 21st-Century Classroom:'']		*[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html Hutchinson, ''Music Theory for the 21st-Century Classroom:'']
	**[http://musictheory.pugetsound.edu/mt21c/FormInPopularMusic.html Chapter 12: Form in Popular Music]
	**[http://musictheory.pugetsound.edu/mt21c/BinaryAndTernaryForms.html Chapter 24: Binary and Ternary Forms]
	**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]		**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]
	*[http://openmusictheory.com/ Shaffer, Wharton (eds.), ''Open Music Theory:'']		*[http://openmusictheory.com/ Shaffer, Wharton (eds.), ''Open Music Theory:'']
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	*[https://www.musicals101.com/book.htm Kenrick, ''Elements of a Musical:'' "The Book (Libretto)"]		*[https://www.musicals101.com/book.htm Kenrick, ''Elements of a Musical:'' "The Book (Libretto)"]
	*[http://www.smt-v.org/archives/volume6.html#detour-or-bridge-contrasting-sections-and-storytelling-in-musical-theater Jarvis and Peterson, "Detour or Bridge? Contrasting Sections and Storytelling in Musical Theater"]		*[http://www.smt-v.org/archives/volume6.html#detour-or-bridge-contrasting-sections-and-storytelling-in-musical-theater Jarvis and Peterson, "Detour or Bridge? Contrasting Sections and Storytelling in Musical Theater"]

	~~====Listening or Videos====~~

	*[http://www.smt-v.org/archives/volume6.html#the-dance-chorus-in-recent-top-40-music Barna, "The Dance Chorus in Recent Top-40 Music"]
	**		**

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	====Files====		====Files====

	*Formal Analysis: "Jumper" by Third Eye Blind ([https://drive.google.com/file/d/1eqkTPUh9bPZ7rFDSBj1Asj6nItu6cAa3/view?usp=sharing Word] \| [https://drive.google.com/file/d/1Nws8-Vu5_R-ZkvJ4gIr-k7RJejMrCcDl/view?usp=sharing Pages] \| [https://drive.google.com/file/d/1E4xjOHegtBFI2mJ4XdtDqZnLeeSb2nEC/view?usp=sharing PDF])
	*Formal Analysis: "Unfinished" by Barenaked Ladies ([https://drive.google.com/file/d/1vcdHe9T1jU38GfN_S_9xRWRbp6A07ekz/view?usp=sharing Word] \| [https://drive.google.com/file/d/16clLJXfED1GDv7wcTP3h9xSsNF7lPfbf/view?usp=sharing Pages] \| [https://drive.google.com/file/d/1LOUFbNpPF13BHGYXTJ4L7q6c8Jaasg6r/view?usp=sharing PDF])
	*Formal Analysis: Piano Sonata in C minor, K. 457 by W. A. Mozart ([https://drive.google.com/file/d/1EejVPNPhjVeF9AI8PCEj2ZZQM5t7yNtj/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1foUdtm5FrRI2EfdNwiiRiT_k7EjrNI39/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1rV17dGqdB_dOTYsjQIofYHsDWXiYUL3K/view?usp=sharing PDF])		*Formal Analysis: Piano Sonata in C minor, K. 457 by W. A. Mozart ([https://drive.google.com/file/d/1EejVPNPhjVeF9AI8PCEj2ZZQM5t7yNtj/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1foUdtm5FrRI2EfdNwiiRiT_k7EjrNI39/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1rV17dGqdB_dOTYsjQIofYHsDWXiYUL3K/view?usp=sharing PDF])

TobyRush: /* Readings: */

2020-07-29T20:42:25Z

Readings:

← Older revision		Revision as of 20:42, 29 July 2020
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	**[http://musictheory.pugetsound.edu/mt21c/BinaryAndTernaryForms.html Chapter 24: Binary and Ternary Forms]		**[http://musictheory.pugetsound.edu/mt21c/BinaryAndTernaryForms.html Chapter 24: Binary and Ternary Forms]
	**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]		**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]
	*[https://www.academia.edu/7634222/_Form_in_Rock_Music_A_Primer_in_Engaging_Music_Essays_in_Music_Analysis_ed._D._Stein_Oxford_University_Press_2005_65-76 Covach, “Form in Rock Music: A Primer”]
	*[http://openmusictheory.com/ Shaffer, Wharton (eds.), ''Open Music Theory:'']		*[http://openmusictheory.com/ Shaffer, Wharton (eds.), ''Open Music Theory:'']
	**Sonata Form: [http://openmusictheory.com/SonataTheory-intro.html 1], [http://openmusictheory.com/SonataTheory-exposition.html 2], [http://openmusictheory.com/sonataStructuralPointsOfArrival.html 3], [http://openmusictheory.com/sonataThematicModules.html 4], [http://openmusictheory.com/sonataRecap.html 5], [http://openmusictheory.com/sonataDevelopment.html 6], [http://openmusictheory.com/sonataFramingModules.html 7]		**Sonata Form: [http://openmusictheory.com/SonataTheory-intro.html 1], [http://openmusictheory.com/SonataTheory-exposition.html 2], [http://openmusictheory.com/sonataStructuralPointsOfArrival.html 3], [http://openmusictheory.com/sonataThematicModules.html 4], [http://openmusictheory.com/sonataRecap.html 5], [http://openmusictheory.com/sonataDevelopment.html 6], [http://openmusictheory.com/sonataFramingModules.html 7]
	**Rondo Form: [http://openmusictheory.com/rondo.html 1], [http://openmusictheory.com/thematicFunctionInRondo.html 2], [http://openmusictheory.com/fivePartRondo.html 3], [http://openmusictheory.com/sonataRondo.html 4]		**Rondo Form: [http://openmusictheory.com/rondo.html 1], [http://openmusictheory.com/thematicFunctionInRondo.html 2], [http://openmusictheory.com/fivePartRondo.html 3], [http://openmusictheory.com/sonataRondo.html 4]
	**[http://openmusictheory.com/minuet.html Minuet Form]		**[http://openmusictheory.com/minuet.html Minuet Form]
	**Pop/Rock Form: [http://openmusictheory.com/popRockForm.html 1], [http://openmusictheory.com/popRockForm-terms 2], [http://openmusictheory.com/popRockForm-containers 3], [http://openmusictheory.com/popRockForm-functions 4], [http://openmusictheory.com/popRockForm-notation 5]
	*[https://www.top40theory.com/ Peres, ''Top 40 Theory:'']
	**[https://www.top40theory.com/blog/dont-bore-us-but-dont-rush-to-the-chorus “Don't Bore Us, but Don't Rush to the Chorus”]
	**[https://www.top40theory.com/blog/the-chainsmokers-ft-halsey-closer-crafting-the-chorus “The Chainsmokers ft. Halsey — ‘Closer’: Crafting the Chorus”]
	**[https://www.top40theory.com/blog/everything-you-need-to-know-about-the-postchorus “Everything You Need to Know About the Postchorus”]
	**[https://www.top40theory.com/blog/about-that-chorus-in-bebe-rexhas-im-a-mess “About that Chorus in Bed Rexha’s ‘I’m a Mess’”]
	**[https://www.top40theory.com/blog/a-sonic-twist-in-the-plot-the-bridge-in-modern-pop “A Sonic Twist in the Plot: The Bridge in Modern Pop”]
	**[https://www.top40theory.com/blog/the-postchorus-bridge-switcheroo “The PostChorus-Bridge Switcheroo”]
	**[https://www.top40theory.com/micro-blog1/recycling-the-chorus-in-zedd-elley-duhes-happy-now “Recycling the Chorus in Zedd & Elley Duhé’s ‘Happy Now’”]
	**[https://www.top40theory.com/micro-blog1/the-internal-sonic-progression-in-bebe-rexhas-im-a-mess “The Internal Sonic Progression in Bebe Rexha’s “I’m a Mess’”]
	**[https://www.top40theory.com/micro-blog1/sonic-meta-progressions-in-pop-songs “Sonic Meta-Progressions in Pop Songs”]
	*[https://www.musicals101.com/book.htm Kenrick, ''Elements of a Musical:'' "The Book (Libretto)"]		*[https://www.musicals101.com/book.htm Kenrick, ''Elements of a Musical:'' "The Book (Libretto)"]
	*[http://www.smt-v.org/archives/volume6.html#detour-or-bridge-contrasting-sections-and-storytelling-in-musical-theater Jarvis and Peterson, "Detour or Bridge? Contrasting Sections and Storytelling in Musical Theater"]		*[http://www.smt-v.org/archives/volume6.html#detour-or-bridge-contrasting-sections-and-storytelling-in-musical-theater Jarvis and Peterson, "Detour or Bridge? Contrasting Sections and Storytelling in Musical Theater"]

TobyRush: /* Resources */

2020-07-29T20:37:38Z

Resources

← Older revision		Revision as of 20:37, 29 July 2020
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	==Resources==		==Resources==

	====~~Reading~~:====		====Readings:====

	*[https://global.oup.com/us/companion.websites/9780199990870/online/ Snodgrass, ''Contemporary Musicianship:'']		*[https://global.oup.com/us/companion.websites/9780199990870/online/ Snodgrass, ''Contemporary Musicianship:'']

TobyRush: /* Notes */

2020-07-29T19:47:59Z

Notes

← Older revision		Revision as of 19:47, 29 July 2020
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	==Notes==		==Notes==
	{{PhraseFormNavbox}}		{{PhraseFormNavbox}}
			{{Theory3Navbox}}

	[[Category:Theory 3]]		[[Category:Theory 3]]
	[[Category:Twentieth-Century Techniques]]		[[Category:Twentieth-Century Techniques]]
	[[Category:Phrase & Form]]		[[Category:Phrase & Form]]

TobyRush: /* Resources */

2020-07-29T19:12:30Z

Resources

TobyRush: /* Resources */

2020-07-29T19:11:18Z

Resources

← Older revision		Revision as of 19:11, 29 July 2020
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	**[http://openmusictheory.com/minuet.html Minuet Form]		**[http://openmusictheory.com/minuet.html Minuet Form]
	**Pop/Rock Form: [http://openmusictheory.com/popRockForm.html 1], [http://openmusictheory.com/popRockForm-terms 2], [http://openmusictheory.com/popRockForm-containers 3], [http://openmusictheory.com/popRockForm-functions 4], [http://openmusictheory.com/popRockForm-notation 5]		**Pop/Rock Form: [http://openmusictheory.com/popRockForm.html 1], [http://openmusictheory.com/popRockForm-terms 2], [http://openmusictheory.com/popRockForm-containers 3], [http://openmusictheory.com/popRockForm-functions 4], [http://openmusictheory.com/popRockForm-notation 5]
	*[http://www.smt-v.org/archives/volume6.html#the-dance-chorus-in-recent-top-40-music Barna, "The Dance Chorus in Recent Top-40 Music"]
	*[https://www.top40theory.com/ Peres, ''Top 40 Theory'']		*[https://www.top40theory.com/ Peres, ''Top 40 Theory'']
	**[https://www.top40theory.com/blog/dont-bore-us-but-dont-rush-to-the-chorus “Don't Bore Us, but Don't Rush to the Chorus”]		**[https://www.top40theory.com/blog/dont-bore-us-but-dont-rush-to-the-chorus “Don't Bore Us, but Don't Rush to the Chorus”]
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	*[https://www.musicals101.com/book.htm Kenrick, ''Elements of a Musical:'' "The Book (Libretto)"]		*[https://www.musicals101.com/book.htm Kenrick, ''Elements of a Musical:'' "The Book (Libretto)"]
	*[http://www.smt-v.org/archives/volume6.html#detour-or-bridge-contrasting-sections-and-storytelling-in-musical-theater Jarvis and Peterson, "Detour or Bridge? Contrasting Sections and Storytelling in Musical Theater"]		*[http://www.smt-v.org/archives/volume6.html#detour-or-bridge-contrasting-sections-and-storytelling-in-musical-theater Jarvis and Peterson, "Detour or Bridge? Contrasting Sections and Storytelling in Musical Theater"]

			==== Listening or Videos ====

			*[http://www.smt-v.org/archives/volume6.html#the-dance-chorus-in-recent-top-40-music Barna, "The Dance Chorus in Recent Top-40 Music"]
	**		**

TobyRush: /* Resources */

2020-07-29T19:07:55Z

Resources

← Older revision		Revision as of 19:07, 29 July 2020
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	**[https://global.oup.com/us/companion.websites/fdscontent/uscompanion/us/static/companion.websites/9780199990870/online_ch4.pdf Chapter 4: “Classical Forms”]		**[https://global.oup.com/us/companion.websites/fdscontent/uscompanion/us/static/companion.websites/9780199990870/online_ch4.pdf Chapter 4: “Classical Forms”]

	*[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html Hutchinson, ''Music Theory for the 21st-Century Classroom'']		*[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html Hutchinson, ''Music Theory for the 21st-Century Classroom:'']
	**[http://musictheory.pugetsound.edu/mt21c/FormInPopularMusic.html Chapter 12: Form in Popular Music]		**[http://musictheory.pugetsound.edu/mt21c/FormInPopularMusic.html Chapter 12: Form in Popular Music]
	**[http://musictheory.pugetsound.edu/mt21c/BinaryAndTernaryForms.html Chapter 24: Binary and Ternary Forms]		**[http://musictheory.pugetsound.edu/mt21c/BinaryAndTernaryForms.html Chapter 24: Binary and Ternary Forms]
	**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]		**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]
	*[https://www.academia.edu/7634222/_Form_in_Rock_Music_A_Primer_in_Engaging_Music_Essays_in_Music_Analysis_ed._D._Stein_Oxford_University_Press_2005_65-76 Covach, “Form in Rock Music: A Primer”]		*[https://www.academia.edu/7634222/_Form_in_Rock_Music_A_Primer_in_Engaging_Music_Essays_in_Music_Analysis_ed._D._Stein_Oxford_University_Press_2005_65-76 Covach, “Form in Rock Music: A Primer”]
	*''[http://openmusictheory.com/ Open Music Theory]''		*[http://openmusictheory.com/ Shaffer, Wharton (eds.), ''Open Music Theory'']
	**Sonata Form: [http://openmusictheory.com/SonataTheory-intro.html 1], [http://openmusictheory.com/SonataTheory-exposition.html 2], [http://openmusictheory.com/sonataStructuralPointsOfArrival.html 3], [http://openmusictheory.com/sonataThematicModules.html 4], [http://openmusictheory.com/sonataRecap.html 5], [http://openmusictheory.com/sonataDevelopment.html 6], [http://openmusictheory.com/sonataFramingModules.html 7]		**Sonata Form: [http://openmusictheory.com/SonataTheory-intro.html 1], [http://openmusictheory.com/SonataTheory-exposition.html 2], [http://openmusictheory.com/sonataStructuralPointsOfArrival.html 3], [http://openmusictheory.com/sonataThematicModules.html 4], [http://openmusictheory.com/sonataRecap.html 5], [http://openmusictheory.com/sonataDevelopment.html 6], [http://openmusictheory.com/sonataFramingModules.html 7]
	**Rondo Form: [http://openmusictheory.com/rondo.html 1], [http://openmusictheory.com/thematicFunctionInRondo.html 2], [http://openmusictheory.com/fivePartRondo.html 3], [http://openmusictheory.com/sonataRondo.html 4]		**Rondo Form: [http://openmusictheory.com/rondo.html 1], [http://openmusictheory.com/thematicFunctionInRondo.html 2], [http://openmusictheory.com/fivePartRondo.html 3], [http://openmusictheory.com/sonataRondo.html 4]

TobyRush: /* Notes */

2020-07-29T18:31:50Z

Notes

← Older revision		Revision as of 18:31, 29 July 2020
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	==Notes==		==Notes==
			{{PhraseFormNavbox}}

	[[Category:Theory 3]]		[[Category:Theory 3]]
	[[Category:Twentieth-Century Techniques]]		[[Category:Twentieth-Century Techniques]]
	[[Category:Phrase & Form]]		[[Category:Phrase & Form]]

Stefacev at 21:55, 28 July 2020

2020-07-28T21:55:50Z

← Older revision		Revision as of 21:55, 28 July 2020
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	==Notes==		==Notes==

	~~[[Category:Rhythm, Meter & Form]]~~
	[[Category:Theory 3]]		[[Category:Theory 3]]
	[[Category:Twentieth-Century Techniques]]		[[Category:Twentieth-Century Techniques]]
			[[Category:Phrase & Form]]

← Older revision		Revision as of 19:12, 29 July 2020
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	**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]		**[http://musictheory.pugetsound.edu/mt21c/SonataAndRondoForms.html Chapter 25: Sonata and Rondo Forms]
	*[https://www.academia.edu/7634222/_Form_in_Rock_Music_A_Primer_in_Engaging_Music_Essays_in_Music_Analysis_ed._D._Stein_Oxford_University_Press_2005_65-76 Covach, “Form in Rock Music: A Primer”]		*[https://www.academia.edu/7634222/_Form_in_Rock_Music_A_Primer_in_Engaging_Music_Essays_in_Music_Analysis_ed._D._Stein_Oxford_University_Press_2005_65-76 Covach, “Form in Rock Music: A Primer”]
	*[http://openmusictheory.com/ Shaffer, Wharton (eds.), ''Open Music Theory'']		*[http://openmusictheory.com/ Shaffer, Wharton (eds.), ''Open Music Theory:'']
	**Sonata Form: [http://openmusictheory.com/SonataTheory-intro.html 1], [http://openmusictheory.com/SonataTheory-exposition.html 2], [http://openmusictheory.com/sonataStructuralPointsOfArrival.html 3], [http://openmusictheory.com/sonataThematicModules.html 4], [http://openmusictheory.com/sonataRecap.html 5], [http://openmusictheory.com/sonataDevelopment.html 6], [http://openmusictheory.com/sonataFramingModules.html 7]		**Sonata Form: [http://openmusictheory.com/SonataTheory-intro.html 1], [http://openmusictheory.com/SonataTheory-exposition.html 2], [http://openmusictheory.com/sonataStructuralPointsOfArrival.html 3], [http://openmusictheory.com/sonataThematicModules.html 4], [http://openmusictheory.com/sonataRecap.html 5], [http://openmusictheory.com/sonataDevelopment.html 6], [http://openmusictheory.com/sonataFramingModules.html 7]
	**Rondo Form: [http://openmusictheory.com/rondo.html 1], [http://openmusictheory.com/thematicFunctionInRondo.html 2], [http://openmusictheory.com/fivePartRondo.html 3], [http://openmusictheory.com/sonataRondo.html 4]		**Rondo Form: [http://openmusictheory.com/rondo.html 1], [http://openmusictheory.com/thematicFunctionInRondo.html 2], [http://openmusictheory.com/fivePartRondo.html 3], [http://openmusictheory.com/sonataRondo.html 4]
	**[http://openmusictheory.com/minuet.html Minuet Form]		**[http://openmusictheory.com/minuet.html Minuet Form]
	**Pop/Rock Form: [http://openmusictheory.com/popRockForm.html 1], [http://openmusictheory.com/popRockForm-terms 2], [http://openmusictheory.com/popRockForm-containers 3], [http://openmusictheory.com/popRockForm-functions 4], [http://openmusictheory.com/popRockForm-notation 5]		**Pop/Rock Form: [http://openmusictheory.com/popRockForm.html 1], [http://openmusictheory.com/popRockForm-terms 2], [http://openmusictheory.com/popRockForm-containers 3], [http://openmusictheory.com/popRockForm-functions 4], [http://openmusictheory.com/popRockForm-notation 5]
	*[https://www.top40theory.com/ Peres, ''Top 40 Theory'']		*[https://www.top40theory.com/ Peres, ''Top 40 Theory:'']
	**[https://www.top40theory.com/blog/dont-bore-us-but-dont-rush-to-the-chorus “Don't Bore Us, but Don't Rush to the Chorus”]		**[https://www.top40theory.com/blog/dont-bore-us-but-dont-rush-to-the-chorus “Don't Bore Us, but Don't Rush to the Chorus”]
	**[https://www.top40theory.com/blog/the-chainsmokers-ft-halsey-closer-crafting-the-chorus “The Chainsmokers ft. Halsey — ‘Closer’: Crafting the Chorus”]		**[https://www.top40theory.com/blog/the-chainsmokers-ft-halsey-closer-crafting-the-chorus “The Chainsmokers ft. Halsey — ‘Closer’: Crafting the Chorus”]
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	*[http://www.smt-v.org/archives/volume6.html#detour-or-bridge-contrasting-sections-and-storytelling-in-musical-theater Jarvis and Peterson, "Detour or Bridge? Contrasting Sections and Storytelling in Musical Theater"]		*[http://www.smt-v.org/archives/volume6.html#detour-or-bridge-contrasting-sections-and-storytelling-in-musical-theater Jarvis and Peterson, "Detour or Bridge? Contrasting Sections and Storytelling in Musical Theater"]

	==== Listening or Videos ====		====Listening or Videos====

	*[http://www.smt-v.org/archives/volume6.html#the-dance-chorus-in-recent-top-40-music Barna, "The Dance Chorus in Recent Top-40 Music"]		*[http://www.smt-v.org/archives/volume6.html#the-dance-chorus-in-recent-top-40-music Barna, "The Dance Chorus in Recent Top-40 Music"]