Chromatic Harmony - Revision history

TobyRush: 27 revisions imported

2024-12-21T19:04:23Z

27 revisions imported

← Older revision	Revision as of 19:04, 21 December 2024
(No difference)

TobyRush: /* Files */

2020-08-20T20:47:22Z

Files

← Older revision		Revision as of 20:47, 20 August 2020
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	====Files====		====Files====

	*Spelling Borrowed and Neapolitan Chords ([https://drive.google.com/file/d/1ohp3fDwrubkIILGYbhLXwawmLzdgiWim/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1IekwrImXs9c2GFbyTyoZBRFJOteMej7X/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1463Mo8DkXYsqqr6uuc03Ms60A1n1ebp4/view?usp=sharing PDF])		*Spelling Borrowed and Neapolitan Chords in Basic Form ([https://drive.google.com/file/d/1ohp3fDwrubkIILGYbhLXwawmLzdgiWim/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1IekwrImXs9c2GFbyTyoZBRFJOteMej7X/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1463Mo8DkXYsqqr6uuc03Ms60A1n1ebp4/view?usp=sharing PDF])
			*Spelling Augmented Sixth Chords in Basic Form ([https://drive.google.com/file/d/171SdABKgrFKn6f84gKXFFYKM5yZljr5q/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1Tcp7HsX48StZBrlooShRbTZhCFL6O5ha/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1vx4RODXlLE8mQuV78mh4Q6_CNuvnAYcF/view?usp=sharing PDF])
	*Spelling Chromatic Chords in Basic Form ([https://drive.google.com/file/d/1im4CgrfgMDb6nbHxjQ9rF5irc5zEWNUQ/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1bD5FH8b9iGq66gHrBe9hnS6RTmZlLL8K/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1m4ibYbUpgvrAWA3FbAfthj1zpo-SwDu4/view?usp=sharing PDF])		*Spelling Chromatic Chords in Basic Form ([https://drive.google.com/file/d/1im4CgrfgMDb6nbHxjQ9rF5irc5zEWNUQ/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1bD5FH8b9iGq66gHrBe9hnS6RTmZlLL8K/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1m4ibYbUpgvrAWA3FbAfthj1zpo-SwDu4/view?usp=sharing PDF])
	*Spelling Enharmonic Modulations ([https://drive.google.com/file/d/1RUBCzhm3AZuGfQccSXHWntF3D-PLp73_/view?usp=sharing Finale] \| [https://drive.google.com/file/d/16srPEhG0BqTo1aO1a8f3kNrggoeQ_KCZ/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1s4rNX2d7qtv6TOzrs-0Bh_No4MOPQf7g/view?usp=sharing PDF])		*Spelling Enharmonic Modulations ([https://drive.google.com/file/d/1RUBCzhm3AZuGfQccSXHWntF3D-PLp73_/view?usp=sharing Finale] \| [https://drive.google.com/file/d/16srPEhG0BqTo1aO1a8f3kNrggoeQ_KCZ/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1s4rNX2d7qtv6TOzrs-0Bh_No4MOPQf7g/view?usp=sharing PDF])

TobyRush: /* Files */

2020-08-20T20:30:28Z

Files

← Older revision		Revision as of 20:30, 20 August 2020
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	====Files====		====Files====

			*Spelling Borrowed and Neapolitan Chords ([https://drive.google.com/file/d/1ohp3fDwrubkIILGYbhLXwawmLzdgiWim/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1IekwrImXs9c2GFbyTyoZBRFJOteMej7X/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1463Mo8DkXYsqqr6uuc03Ms60A1n1ebp4/view?usp=sharing PDF])
	*Spelling Chromatic Chords in Basic Form ([https://drive.google.com/file/d/1im4CgrfgMDb6nbHxjQ9rF5irc5zEWNUQ/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1bD5FH8b9iGq66gHrBe9hnS6RTmZlLL8K/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1m4ibYbUpgvrAWA3FbAfthj1zpo-SwDu4/view?usp=sharing PDF])		*Spelling Chromatic Chords in Basic Form ([https://drive.google.com/file/d/1im4CgrfgMDb6nbHxjQ9rF5irc5zEWNUQ/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1bD5FH8b9iGq66gHrBe9hnS6RTmZlLL8K/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1m4ibYbUpgvrAWA3FbAfthj1zpo-SwDu4/view?usp=sharing PDF])
	*Spelling Enharmonic Modulations ([https://drive.google.com/file/d/1RUBCzhm3AZuGfQccSXHWntF3D-PLp73_/view?usp=sharing Finale] \| [https://drive.google.com/file/d/16srPEhG0BqTo1aO1a8f3kNrggoeQ_KCZ/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1s4rNX2d7qtv6TOzrs-0Bh_No4MOPQf7g/view?usp=sharing PDF])		*Spelling Enharmonic Modulations ([https://drive.google.com/file/d/1RUBCzhm3AZuGfQccSXHWntF3D-PLp73_/view?usp=sharing Finale] \| [https://drive.google.com/file/d/16srPEhG0BqTo1aO1a8f3kNrggoeQ_KCZ/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1s4rNX2d7qtv6TOzrs-0Bh_No4MOPQf7g/view?usp=sharing PDF])

TobyRush: /* Readings */

2020-08-01T16:14:46Z

Readings

← Older revision		Revision as of 16:14, 1 August 2020
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	====Readings====		====Readings====

	*[https://tobyrush.com/theorypages/ ~~Rush,~~ ''Music Theory for Musicians and Normal People'']'':''		*[https://tobyrush.com/theorypages/ ''Music Theory for Musicians and Normal People'']'':''
	**[https://tobyrush.com/theorypages/pdf/en-us/altered-chords.pdf Altered Chords]		**[https://tobyrush.com/theorypages/pdf/en-us/altered-chords.pdf Altered Chords]
	**[https://tobyrush.com/theorypages/pdf/en-us/borrowed-chords.pdf Borrowed Chords]		**[https://tobyrush.com/theorypages/pdf/en-us/borrowed-chords.pdf Borrowed Chords]

TobyRush: /* Notes */

2020-07-29T19:47:34Z

Notes

← Older revision		Revision as of 19:47, 29 July 2020
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	==Notes==		==Notes==
	{{HarmonyNavbox}}		{{HarmonyNavbox}}
			{{Theory3Navbox}}

	[[Category:Harmony]]		[[Category:Harmony]]
	[[Category:Theory 3]]		[[Category:Theory 3]]

TobyRush: /* Notes */

2020-07-29T19:47:28Z

Notes

← Older revision		Revision as of 19:47, 29 July 2020
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	==Notes==		==Notes==
	{{HarmonyNavbox}}		{{HarmonyNavbox}}
	~~{{Theory3Navbox}}~~

	[[Category:Harmony]]		[[Category:Harmony]]
	[[Category:Theory 3]]		[[Category:Theory 3]]

TobyRush: /* Notes */

2020-07-29T19:46:29Z

Notes

← Older revision		Revision as of 19:46, 29 July 2020
Line 62:		Line 62:
	==Notes==		==Notes==
	{{HarmonyNavbox}}		{{HarmonyNavbox}}
			{{Theory3Navbox}}

	[[Category:Harmony]]		[[Category:Harmony]]
	[[Category:Theory 3]]		[[Category:Theory 3]]

TobyRush: /* Readings */

2020-07-29T18:52:05Z

Readings

TobyRush: /* Readings */

2020-07-29T18:50:21Z

Readings

TobyRush: /* Notes */

2020-07-29T18:22:06Z

Notes

← Older revision		Revision as of 18:22, 29 July 2020
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	==Notes==		==Notes==
			{{HarmonyNavbox}}

	[[Category:Harmony]]		[[Category:Harmony]]
	[[Category:Theory 3]]		[[Category:Theory 3]]

← Older revision		Revision as of 20:47, 20 August 2020
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	====Files====		====Files====

	*Spelling Borrowed and Neapolitan Chords ([https://drive.google.com/file/d/1ohp3fDwrubkIILGYbhLXwawmLzdgiWim/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1IekwrImXs9c2GFbyTyoZBRFJOteMej7X/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1463Mo8DkXYsqqr6uuc03Ms60A1n1ebp4/view?usp=sharing PDF])		*Spelling Borrowed and Neapolitan Chords in Basic Form ([https://drive.google.com/file/d/1ohp3fDwrubkIILGYbhLXwawmLzdgiWim/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1IekwrImXs9c2GFbyTyoZBRFJOteMej7X/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1463Mo8DkXYsqqr6uuc03Ms60A1n1ebp4/view?usp=sharing PDF])
			*Spelling Augmented Sixth Chords in Basic Form ([https://drive.google.com/file/d/171SdABKgrFKn6f84gKXFFYKM5yZljr5q/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1Tcp7HsX48StZBrlooShRbTZhCFL6O5ha/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1vx4RODXlLE8mQuV78mh4Q6_CNuvnAYcF/view?usp=sharing PDF])
	*Spelling Chromatic Chords in Basic Form ([https://drive.google.com/file/d/1im4CgrfgMDb6nbHxjQ9rF5irc5zEWNUQ/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1bD5FH8b9iGq66gHrBe9hnS6RTmZlLL8K/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1m4ibYbUpgvrAWA3FbAfthj1zpo-SwDu4/view?usp=sharing PDF])		*Spelling Chromatic Chords in Basic Form ([https://drive.google.com/file/d/1im4CgrfgMDb6nbHxjQ9rF5irc5zEWNUQ/view?usp=sharing Finale] \| [https://drive.google.com/file/d/1bD5FH8b9iGq66gHrBe9hnS6RTmZlLL8K/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1m4ibYbUpgvrAWA3FbAfthj1zpo-SwDu4/view?usp=sharing PDF])
	*Spelling Enharmonic Modulations ([https://drive.google.com/file/d/1RUBCzhm3AZuGfQccSXHWntF3D-PLp73_/view?usp=sharing Finale] \| [https://drive.google.com/file/d/16srPEhG0BqTo1aO1a8f3kNrggoeQ_KCZ/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1s4rNX2d7qtv6TOzrs-0Bh_No4MOPQf7g/view?usp=sharing PDF])		*Spelling Enharmonic Modulations ([https://drive.google.com/file/d/1RUBCzhm3AZuGfQccSXHWntF3D-PLp73_/view?usp=sharing Finale] \| [https://drive.google.com/file/d/16srPEhG0BqTo1aO1a8f3kNrggoeQ_KCZ/view?usp=sharing MusicXML] \| [https://drive.google.com/file/d/1s4rNX2d7qtv6TOzrs-0Bh_No4MOPQf7g/view?usp=sharing PDF])

← Older revision		Revision as of 18:52, 29 July 2020
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	====Readings====		====Readings====

	*[https://tobyrush.com/theorypages/ T. Rush, ''Music Theory for Musicians and Normal People'']'':''		*[https://tobyrush.com/theorypages/ Rush, ''Music Theory for Musicians and Normal People'']'':''
	**[https://tobyrush.com/theorypages/pdf/en-us/altered-chords.pdf Altered Chords]		**[https://tobyrush.com/theorypages/pdf/en-us/altered-chords.pdf Altered Chords]
	**[https://tobyrush.com/theorypages/pdf/en-us/borrowed-chords.pdf Borrowed Chords]		**[https://tobyrush.com/theorypages/pdf/en-us/borrowed-chords.pdf Borrowed Chords]
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	**[https://tobyrush.com/theorypages/pdf/en-us/altered-and-enharmonic-modulation.pdf Altered and Enharmonic Modulation]		**[https://tobyrush.com/theorypages/pdf/en-us/altered-and-enharmonic-modulation.pdf Altered and Enharmonic Modulation]
	**[https://tobyrush.com/theorypages/pdf/en-us/secondary-subdominants.pdf Secondary Subdominants]		**[https://tobyrush.com/theorypages/pdf/en-us/secondary-subdominants.pdf Secondary Subdominants]
	*[http://openmusictheory.com K. Shaffer, R. Wharton, eds., ''Open Music Theory'']'':''		*[http://openmusictheory.com Shaffer, Wharton (eds.), ''Open Music Theory'']'':''
	**[http://openmusictheory.com/alteredSubdominants.html Chromatically Altered Subdominant Chords]		**[http://openmusictheory.com/alteredSubdominants.html Chromatically Altered Subdominant Chords]
	**[http://openmusictheory.com/appliedChords.html Applied Chords]		**[http://openmusictheory.com/appliedChords.html Applied Chords]
	**[http://openmusictheory.com/modalMixture.html Modal Mixture]		**[http://openmusictheory.com/modalMixture.html Modal Mixture]
	*[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html R. Hutchinson, ''Music Theory for the 21st-Century Classroom'']		*[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html Hutchinson, ''Music Theory for the 21st-Century Classroom'']
	**[http://musictheory.pugetsound.edu/mt21c/SecondaryDominants.html Chapter 17: Secondary Dominant Chords]		**[http://musictheory.pugetsound.edu/mt21c/SecondaryDominants.html Chapter 17: Secondary Dominant Chords]
	**[http://musictheory.pugetsound.edu/mt21c/SecondaryDiminishedChords.html Chapter 18: Secondary Diminished Chords]		**[http://musictheory.pugetsound.edu/mt21c/SecondaryDiminishedChords.html Chapter 18: Secondary Diminished Chords]
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	**[http://musictheory.pugetsound.edu/mt21c/AugmentedSixthChords.html Chapter 21: Augmented Sixth Chords]		**[http://musictheory.pugetsound.edu/mt21c/AugmentedSixthChords.html Chapter 21: Augmented Sixth Chords]
	**[http://musictheory.pugetsound.edu/mt21c/EnharmonicModulation.html Chapter 23: Enharmonic Modulation]		**[http://musictheory.pugetsound.edu/mt21c/EnharmonicModulation.html Chapter 23: Enharmonic Modulation]
	*[https://global.oup.com/us/companion.websites/9780199990870/online/ J. Snodgrass, ''Contemporary Musicianship:'']		*[https://global.oup.com/us/companion.websites/9780199990870/online/ Snodgrass, ''Contemporary Musicianship:'']
	**[https://global.oup.com/us/companion.websites/fdscontent/uscompanion/us/static/companion.websites/9780199990870/online_ch2.pdf Chapter 2: “Chromatic Chords Functioning as the Predominant”]<br />		**[https://global.oup.com/us/companion.websites/fdscontent/uscompanion/us/static/companion.websites/9780199990870/online_ch2.pdf Chapter 2: “Chromatic Chords Functioning as the Predominant”]<br />

← Older revision		Revision as of 18:50, 29 July 2020
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	====Readings====		====Readings====

	*''[https://tobyrush.com/theorypages/ Music Theory for Musicians and Normal People]:''		*[https://tobyrush.com/theorypages/ T. Rush, ''Music Theory for Musicians and Normal People'']'':''
	**[https://tobyrush.com/theorypages/pdf/en-us/altered-chords.pdf Altered Chords]		**[https://tobyrush.com/theorypages/pdf/en-us/altered-chords.pdf Altered Chords]
	**[https://tobyrush.com/theorypages/pdf/en-us/borrowed-chords.pdf Borrowed Chords]		**[https://tobyrush.com/theorypages/pdf/en-us/borrowed-chords.pdf Borrowed Chords]
Line 19:		Line 19:
	**[https://tobyrush.com/theorypages/pdf/en-us/altered-and-enharmonic-modulation.pdf Altered and Enharmonic Modulation]		**[https://tobyrush.com/theorypages/pdf/en-us/altered-and-enharmonic-modulation.pdf Altered and Enharmonic Modulation]
	**[https://tobyrush.com/theorypages/pdf/en-us/secondary-subdominants.pdf Secondary Subdominants]		**[https://tobyrush.com/theorypages/pdf/en-us/secondary-subdominants.pdf Secondary Subdominants]
	*''[http://openmusictheory.com Open Music Theory]:''		*[http://openmusictheory.com K. Shaffer, R. Wharton, eds., ''Open Music Theory'']'':''
	**[http://openmusictheory.com/alteredSubdominants.html Chromatically Altered Subdominant Chords]		**[http://openmusictheory.com/alteredSubdominants.html Chromatically Altered Subdominant Chords]
	**[http://openmusictheory.com/appliedChords.html Applied Chords]		**[http://openmusictheory.com/appliedChords.html Applied Chords]
	**[http://openmusictheory.com/modalMixture.html Modal Mixture]		**[http://openmusictheory.com/modalMixture.html Modal Mixture]
	*[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html Hutchinson, ''Music Theory for the 21st-Century Classroom'']		*[http://musictheory.pugetsound.edu/mt21c/MusicTheory.html R. Hutchinson, ''Music Theory for the 21st-Century Classroom'']
	**[http://musictheory.pugetsound.edu/mt21c/SecondaryDominants.html Chapter 17: Secondary Dominant Chords]		**[http://musictheory.pugetsound.edu/mt21c/SecondaryDominants.html Chapter 17: Secondary Dominant Chords]
	**[http://musictheory.pugetsound.edu/mt21c/SecondaryDiminishedChords.html Chapter 18: Secondary Diminished Chords]		**[http://musictheory.pugetsound.edu/mt21c/SecondaryDiminishedChords.html Chapter 18: Secondary Diminished Chords]
Line 30:		Line 30:
	**[http://musictheory.pugetsound.edu/mt21c/AugmentedSixthChords.html Chapter 21: Augmented Sixth Chords]		**[http://musictheory.pugetsound.edu/mt21c/AugmentedSixthChords.html Chapter 21: Augmented Sixth Chords]
	**[http://musictheory.pugetsound.edu/mt21c/EnharmonicModulation.html Chapter 23: Enharmonic Modulation]		**[http://musictheory.pugetsound.edu/mt21c/EnharmonicModulation.html Chapter 23: Enharmonic Modulation]
	*[https://global.oup.com/us/companion.websites/9780199990870/online/ Snodgrass, ''Contemporary Musicianship:'']		*[https://global.oup.com/us/companion.websites/9780199990870/online/ J. Snodgrass, ''Contemporary Musicianship:'']
	**[https://global.oup.com/us/companion.websites/fdscontent/uscompanion/us/static/companion.websites/9780199990870/online_ch2.pdf Chapter 2: “Chromatic Chords Functioning as the Predominant”]<br />		**[https://global.oup.com/us/companion.websites/fdscontent/uscompanion/us/static/companion.websites/9780199990870/online_ch2.pdf Chapter 2: “Chromatic Chords Functioning as the Predominant”]<br />