MUS 111: Theory of Music I
MUS 111
THEORY OF MUSIC I
FALL 2011
MWF 10:00-10:50 am, MT 114

Dr. Phillip Magnuson
Office: 103 MT
Phone: 229.3907
Office hours are posted or can be made by appointment
E-mail: magnuson@udayton.edu



OBJECTIVE

The goal of music theory studies is to gain a greater understanding of the patterns of sound through examining historical models (analysis) and composing within historical styles (synthesis). Although this course deals largely with the music of Western civilization during the Common Practice Period (1600-1900), older music (pre-1600) and recent music (20th century) will be examined to demonstrate universal concepts of sound and its organization.


TEXTS

Printouts from the online text are required. These must be done on personal equipment; printers and supplies in the MALL are not to be used. The anthology must be purchased (new copy only) and brought to each class.


ATTENDANCE

Good attendance is crucial to success in this course since every topic is built on the previous one. Consquently, there are no "excused" absences and the reasons for absences will not be evaluated. Students are expected to know the material covered in class and to participate fully.

STRATEGIES FOR SUCCESS


AT RISK STUDENTS

Students must complete MUS 111 with a grade of C- or better to enroll in MUS 112; consequently. a student is considered to be "at risk" when his/her course grade average is at C or lower. All "at risk" students are required to seek extra outside help from the instructor by attending two 7:00 am office hours per week (at a minimum).

GENERAL POLICIES


GRADING

Quizzes 15%
Exam I 15%
Exam II 15%
Exam III 15%
Assignments 15%
Final exam 20%
Attendance/participation 5%

ACADEMIC HONESTY

Academic honesty is fundamental to the work and principles of the University of Dayton. Students in this course are not to collaborate on written assignments, quizzes, tests, or examinations. Ideas that are not your own must bear the appropriate citation. Scholars are interested in understanding subject matter to the best of their ability, and our integrity is integrally tied to adhering to standard procedures for collecting and citing outside information, interpreting such information in good faith, and acknowledging the work of others. Academic integrity in this class will be practiced in this way. You are welcome, in fact encouraged, to discuss course material, including readings, and topics together outside of class. You are encouraged, in fact, to work together as you prepare for tests and as you develop ideas and plans for your classes.

HONOR PLEDGE

I understand that as a student of the University of Dayton, I am a member of our academic and social community. I recognize the importance of my education and the value of experiencing life in such an integrated community. I believe that the value of my education and degree is critically dependent upon the academic integrity of the university community, and so in order to maintain our academic integrity, I pledge to: In doing this, I hold myself and my community to a higher standard of excellence and set an example for my peers to follow.

SCHEDULE

SP = Sound PatternsMA = Music for Analysis
August TopicAssignmentReading
24
Wednesday
SP 1: Tonality SP: FUNDAMENTALS SP 1: Tonality
26
Friday
SP 2: Vocabulary (Intervals) SP 2 Interval drills SP 2: Vocabulary
29
Monday
SP 2: Vocabulary (Scales and key signatures) SP 2 Scale and key signature drills SP 2: Vocabulary
31
Wednesday
SP 2: Vocabulary (Modes) SP 2 Scale degree and mode drills SP 3: Texture
September TopicAssignmentReading
2
Friday
SP 3: Texture SP 3 Texture drills SP 4: Sonority
5
Monday
LABOR DAY No classes
7
Wednesday
SP 4: Sonority SP 4 Sonority drills SP 5: Time Organization
9
Friday
SP 5: Time Organization SP 5 Meter drills SP 1-5
12
Monday
Review for EXAM SP 5 Practice tests SP 1-5
14
Wednesday
***EXAM I: SP 1-5*** SP: BASIC RULES FOR SPECIES COUNTERPOINT
16
Friday
SP 6: Species I (Melodic principles) SP 6 practice assignment SP 6: Species I
19
Monday
SP 6: Species I (Contrapuntal principles) SP 6 practice assignment SP 6: Species I
21
Wednesday
SP 6: Species I (Practice) SP 6 practice assignment SP 6: Species I
23
Friday
SP 6: Species I (Practice) SP 6 synthesis assignment SP 7: Species II
26
Monday
SP 7: Species II *SP 6 synthesis assignment due SP 7: Species II
28
Wednesday
SP 7: Species II (Practice) SP 7 practice assignment SP 7: Species II
30
Friday
SP 7: Species II (Practice) SP 7 synthesis assignment SP 8: Species III
October TopicAssignmentReading
3
Monday
SP 8: Species III *SP 7 synthesis assignment due SP 8: Species III
5
Wednesday
SP 8: Species III (Practice) SP 8 practice assignment SP 8: Species III
7
Friday
MID-SEMESTER BREAK No classes
10
Monday
SP 8: Species III (Practice) SP 8 synthesis assignment SP 8: Species III
12
Wednesday
Review for EXAM *SP 8 synthesis assignment due SP 6-8
14
Friday
***EXAM II: SP 6-8*** SP 9: Species IV
17
Monday
SP 9: Species IV SP 9 practice assignment SP 9: Species IV
19
Wednesday
SP 9: Species IV (Practice) SP 9 practice assignment SP 9: Species IV
21
Friday
SP 9: Species IV (October Madness: Counterpoint Play-offs) SP 9 synthesis assignment SP 10: Species V
24
Monday
SP 10: Species V *SP 9 synthesis assignment due SP 10: Species V
26
Wednesday
SP 10: Species V (Practice) SP 10 practice assignment SP 10: Species V
28
Friday
SP 10: Species V (Practice) SP 10 synthesis assignment SP 11: Species I in 3-voices
31
Monday
SP 11: Species I in 3-voices *SP 10 synthesis assignment due SP 11: Species I in 3-voices
November TopicAssignmentReading
2
Wednesday
SP 11: Species I in 3-voices (Practice) SP 11 practice assignment SP 11: Species I in 3-voices
4
Friday
SP 11: Species I in 3-voices (Practice) SP 11 synthesis assignment SP 9-11
7
Monday
Review for EXAM
*SP 11 synthesis assignment due SP 9-11
9
Wednesday
***EXAM III: SP 9-11*** SP: DIATONIC PROCEDURES I
11
Friday
SP 12: Transition to Common Practice Period SP 12 analysis assignment SP 12: Transition to Common Practice Period
13
Monday
SP 12: Transition to Common Practice Period SP 12 synthesis assignment SP 13: Roman Numeral Analysis
16
Wednesday
SP 13: Roman Numeral Analysis SP 13 analysis assignment SP 13: Roman Numeral Analysis
18
Friday
SP 13: Roman Numeral Analysis *SP 12 synthesis assignment due SP 13: Roman Numeral Analysis
21
Monday
SP 13: Roman Numeral Analysis SP 13 analysis assignment SP 14: Tonic and Dominant
23
Wednesday
THANKSGIVING BREAK No classes
25
Friday
THANKSGIVING BREAK No classes
28
Monday
SP 14: Tonic and Dominant *SP 13 synthesis assignment due SP 14: Tonic and Dominant
30
Wednesday
SP 14: Tonic and Dominant SP 14 analysis assignments SP 14: Tonic and Dominant
December TopicAssignmentReading
2
Friday
SP 14: Tonic and Dominant SP 14 analysis assignments SP 14: Tonic and Dominant
5
Monday
SP 14: Tonic and Dominant SP 14 analysis assignments SP 14: Tonic and Dominant
7
Wednesday
SP 14: Tonic and Dominant *SP 14 synthesis assignment due SP 14: Tonic and Dominant
9
Friday
Review for FINAL EXAM Review SP 14 assignment SP 12-14
14
Wednesday
***FINAL EXAM: 12:20 pm - 2:10 pm***

CLASS GRADES:

Current as of 24 August 2011
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ID# Grade *At risk

All "at risk" students are required to seek extra outside help from the instructor by attending two 7:00 am office hours per week (at a minimum).

Students must complete MUS 111 with a grade of C- or better to enroll in MUS 112